Subjectivity in art stems from the freedom to embody the artist’s vision that stems from within him and not from the character and forms imposed on him by The outside, and this is what the philosopher Croce sees that the artwork is a free creation whose source is the artist's self, not bound by laws. Subjectivity and subjectivity are a stimulating and active source within the creative process in the movements of modern painting in particular, and it is inherent to it. and transformed as an operating mechanism, due to the transformations in the systems formed for each direction and for each Subjectivity is fixed as a visual concept The concept is intertwined by mixing it up with phenomena, functions, images, and connotations that mediate it with its relation to the invisible through The imaginary and its relation to concepts (ego, soul, mind, self) that overlap in creating a concept that works in different contexts.
Youssef Mohamed Kamel, S., & Muhammad Al-Saeed, I. (2021). A two-dimensional collaborative artwork challenge between plastic art and photography. International Journal of Multidisciplinary Studies in Art and Technology, 4(1), 302-324. doi: 10.21608/ijmsat.2021.188804
MLA
Salma Youssef Mohamed Kamel; Iman Muhammad Al-Saeed. "A two-dimensional collaborative artwork challenge between plastic art and photography", International Journal of Multidisciplinary Studies in Art and Technology, 4, 1, 2021, 302-324. doi: 10.21608/ijmsat.2021.188804
HARVARD
Youssef Mohamed Kamel, S., Muhammad Al-Saeed, I. (2021). 'A two-dimensional collaborative artwork challenge between plastic art and photography', International Journal of Multidisciplinary Studies in Art and Technology, 4(1), pp. 302-324. doi: 10.21608/ijmsat.2021.188804
VANCOUVER
Youssef Mohamed Kamel, S., Muhammad Al-Saeed, I. A two-dimensional collaborative artwork challenge between plastic art and photography. International Journal of Multidisciplinary Studies in Art and Technology, 2021; 4(1): 302-324. doi: 10.21608/ijmsat.2021.188804
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