In 3122, the Egyptian society witnessed a strong shift in the aftermath of 25th January Revolution. Major political, social, cultural and economic challenges have occurred together with other unprecedented overlaps in art scene. A remarkable change has dominated the public space of Egyptian cities; Mural paintings that implemented Arabic calligraphy were considered constant reminders for passers-by of the drastic changes the „Arab spring‟ brought to the region. In this regard, setting a comparative framework of the relationship between Arabic calligraphy and public space before and after 2011 Revolution is a necessity. Not only because a clear transformation in the freedom of art practice has emerged, but also to shed a light on the role Arabic Calligraphy has played in documenting different political and social discourses
Elregaily, S. (2021). Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution. International Journal of Multidisciplinary Studies in Art and Technology, 4(2), 48-73. doi: 10.21608/ijmsat.2021.226070
MLA
Salsabil Elregaily. "Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution", International Journal of Multidisciplinary Studies in Art and Technology, 4, 2, 2021, 48-73. doi: 10.21608/ijmsat.2021.226070
HARVARD
Elregaily, S. (2021). 'Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution', International Journal of Multidisciplinary Studies in Art and Technology, 4(2), pp. 48-73. doi: 10.21608/ijmsat.2021.226070
VANCOUVER
Elregaily, S. Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution. International Journal of Multidisciplinary Studies in Art and Technology, 2021; 4(2): 48-73. doi: 10.21608/ijmsat.2021.226070
)
View on SCiNiTO